Moon Knight: 6 Most Iconic Marvel Comic Panels
Once Disney and Marvel Studios revealed some of their post-Infinity saga, Moon knight was heralded as one of the next Disney + TV shows to expand the global MCU. Oscar Isaac is expected to star as the titular superhero and has the potential to be one of the bolder properties this cinematic universe brings to the screen given the action and characteristics of Marc Spector / Moon Knight. .
He’s a darker, much more psychologically complex character than the MCU has typically shown and is associated with supernatural elements as well. The comics were good for him, as Moon Knight commissioned several talented writers and artists to create compelling stories that created memorable visuals and moments.
6 “How are your dead family doing?” – The Punisher (Matthieu Rosenberg)
This is certainly one of the most entertaining panels, and it actually takes place in the race of Matthew Rosenberg and Szymon Kudranski on The punisher. Number 14, Baron Helmut Zero and the Thunderbolts team of supervillains lead their fight against Frank Castle in Manhattan – some of the most powerful characters Punisher would have to fight – and Black Widow tries to assemble a team to help him. This is the penultimate issue of War in the streets arc, but he doesn’t really like working in a team.
Moon Knight is one of the few who answered Natasha’s call and a funny joke ensues between him and the Punisher. Frank makes fun of the “imaginary god” that Marc follows, the latter striking a particularly low blow. The character is not in a comic book series of the “comedy” genre, but even he can provide some form of comedic relief. It’s a fun demonstration of how morbid and funny Moon Knight can be at times.
5 “Welcome to the Midnight Mission” – Moon Knight (Jed MacKay)
More recently, Marvel launched the first new series of Moon knight since the 2017 series now with writer Jed MacKay and artist Alessandro Cappuccio. The timing looks good with the Disney + series coming next year, and the critical consensus for the new comic has so far been overwhelmingly positive. He continues to explore one of the character’s foundations in the form of his crime struggles while also dealing with his characters forming his dissociative identity disorder.
Despite overcoming and rejecting the cruel Khonshu, Marc Spector continues the work without the Moon God as Moon Knight and the elegant character of Mr. Knight with his congregation Midnight Mission. It’s a new extension of the character myth, but the striking, crisp, and smooth artwork of the superhero welcoming a client to Cappuccio’s Midnight Mission is already a panel to take away, though they’re so new as to be. be.
4 Khonshu – Knight of the Moon (Warren Ellis)
The base of Marc Spector’s superhero character as Moon Knight was saved from death by the Egyptian Moon God Khonshu after being left to die as a mercenary in the desert. For a long time, Spector has used this superhero identity to serve as a fist for Khonshu, helping to do justice to those who seek to travel at night. The supernatural and occult elements associated with it also appear to be things the MCU will explore with their Disney + Halloween Special on top of that (presumably) Moon knight.
Faithfully serving a strange god while struggling to come to terms with one’s own psychological turmoil gives rise to some grim but fascinating comments. Writer Warren Ellis and artists Declan Shalvey and Jordie Bellaire came in their run on Moon knight to give some of Khonshu’s most haunting interpretations. The ominous bird skeleton dressed in formal attire exudes an atmosphere of horror, and panels like these blend with the gritty art style that makes you feel right at home, especially in the scenes where Spector the meeting.
3 The Crescent Moon – Moon Knight (Warren Ellis)
The features, themes, and tones of his Moon Knight stories make him one of the darker Marvel comic book characters like Daredevil, but takes more cheeky approaches to crime-fighting. For example, he doesn’t care much about sneaking up on the bad guys he targets. Rather, he relishes the thrill of fear he inflicts on them, which is a testament to his Moon Knight costume – including Mr. Knight.
The stark and almost blinding white of her costume is made for the purpose of announcing her arrival. Given this state of mind, Shalvey and Bellaire once again provide some beautiful images with their hero panel hovering across the page in a wonderfully massive and exaggerated cape in the shape of a crescent moon, with the actual moon plus high. Art gives it an ethereal quality that suits the nocturnal character.
2 “We are Moon Knight” – Moon Knight (Jeff Lemire)
Lemire and Smallwood’s run ends in an emotionally satisfying way, cementing his status as one of the hero’s best comic book races. This story culminated in a major showdown between all of the identities of Moon Knight and Khonshu. The Egyptian deity of the Moon ruled over Marc Spector, naming him his fist and high priest, and commander for his devotion.
Issue 14 was the last in this series and represented a fantastic take on Moon Knight’s character arc here, as he realizes that having such blind faith in this god who doesn’t care about him will only do hurt him more, accept himself and grow as a person – or as people. It’s a historic scene and panel set for Moon Knight, and fans are likely hoping it becomes just as essential in the Disney + series. Smallwood’s art also succeeds in creating an anchored in the dark style, similar to Batman’s origin story in First year by illustrated by David Mazzucchelli.
1 “You must know that you have a weak mind, Marc?” – Knight of the Moon (Jeff Lemire)
The popular consensus among fans seems to be that Jeff Lemire and Greg Smallwood (and again colorist Jordie Bellaire) had the best run out of the character comics. It’s a story arc that becomes incredibly intimate and introspective with Marc Spector, his inner struggle to live with his fractured mind, and the state of his relationship with this tough, callous moon god who anointed him as his knight.
The pictorial panels where Khonshu speaks condescendingly to Spector are so powerful for the tone he sets. By presenting each panel from a first person perspective and paired with Smallwood’s pencils and Bellaire’s colors, it creates a dark and oppressive atmosphere demonstrating that at the moment Spector is indeed at Khonshu’s whim. It’s brutal but makes the finale of this series all the more cathartic.
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